Fafhrd and the Gray Mouser Mignola Comic Read

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As usual, Mignola is a delight, though it's amusing to see him at a much earlier stage, where his lines are more sketchy and his angular shading has that definitively early on nineties 'edgy' look then favored in comic
A lot of fun, much similar the stories that inspired them. Though Chaykin'south pacing is sometimes choppy, his utilize of the language is delightfully in-graphic symbol. It's unfortunate that the series didn't catch on, it could have been a more humorous compliment to the many successful Conan comics.Every bit usual, Mignola is a please, though it'south amusing to see him at a much before stage, where his lines are more sketchy and his athwart shading has that definitively early nineties 'edgy' look then favored in comics and Vampire roleplaying books. I love his draughtsmanship, particularly the buildings and statuary, which manage to be intricate and mysterious without relying on the obsessive miscellany of a Bachalo or Darrow.
It's always interesting to encounter how artists characterize Fafhrd and the Mouser, since they are not as narrowly-defined as Conan or John Carter. The Mouser, in particular, has always been a shifting, undefined figure in my mind, with the sort of average, forgettable face that lets a thief lose himself in any crowd.
Mignola's Mouser is a lilliputian more beefy and heroic, with sharp, Eastern-European features, which I constitute an interesting vision, and fitting for the character. I also appreciated Mignola'south range of expression and the pure personality of his characters, something all likewise rare in comics, where wooden faces scream with an unsettlingly even mixture of joy, hatred, pain, and sorrow.
In the end, in that location'south no replacement for an inspired artist.
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No.
Hither's Fritz Lieber:
"Sundered from us by the gulfs of fourth dimension and stranger dimensions dreams the aboriginal world of Nehwon with its towers and skulls and jewels, its swords and sorceries."
Here's Howard Chaykin:
[No setup any.]
It'southward like that Lieber delights; Chaykin strips everything down to bare bones. Information technology misseth the point, and not fifty-fifty the Mignola illustrations can do annihilation with it.
I wanted to LOVE this book.No.
Hither's Fritz Lieber:
"Sundered from the states past the gulfs of time and stranger dimensions dreams the aboriginal world of Nehwon with its towers and skulls and jewels, its swords and sorceries."
Here's Howard Chaykin:
[No setup whatsoever.]
Information technology'south like that Lieber delights; Chaykin strips everything down to bare bones. It misseth the indicate, and not even the Mignola illustrations tin can do annihilation with information technology.
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I can just requite this two stars.
The artwork by Mike Mignola was very skilful, but Howard Chaykin'southward adaptation of Leiber is only way too choppy. Fine art: good. Writing: Nonsensical. Not good.I can only give this two stars.
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-- "Ill Met in Lankhmar"
-- "The Circumvolve Expletive"
-- "The Howling Tower"
-- "The Cost of Pain Ease"
-- "Bazaar of the Bizarre"
-- "Lean Fourth dimension in Lankhmar" (nice touches of humor here)
-- "When the Sea King's Away…"
Seasonal Reading Challenge Autumn 2022 Task 5.9 - Boggle:
It'south a cheesy victory, merely AND (from
Vii stories adapted for comics by Howard Chaykin and Mike Mignola.
-- "Sick Met in Lankhmar"
-- "The Circle Curse"
-- "The Howling Tower"
-- "The Price of Pain Ease"
-- "Bazaar of the Baroque"
-- "Lean Time in Lankhmar" (nice touches of sense of humour here)
-- "When the Sea King's Away…"
Seasonal Reading Challenge Fall 2022 Chore five.9 - Boggle:
It'due south a cheesy victory, but AND (from
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I had really read, oh then many years ago, Chaykin's original have on the characters in DC Comics' Sword of Sorcery and had liked it fifty-fifty and so. So yeah, this book was a giddy picayune schoolhouse girl feeling kinda volume for me.
Information technology desperately needs a sequel though.
Characters created by Fritz Lieber, story by Howard Chaykin and art by Mike Mignola... how could I peradventure NOT like this graphic novel?I had actually read, oh so many years ago, Chaykin's original accept on the characters in DC Comics' Sword of Sorcery and had liked it even so. And then yes, this book was a lightheaded little school daughter feeling kinda book for me.
It desperately needs a sequel though.
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The art I actually similar more that some of M
This was really fun. I'd never heard of Fafhrd or the Greyness Mouser, only I had heard of Lanhkmar (a fantasy version of New York where about of their adventures take place) somewhere distantly in the past. I can see how having a duo to act as foils for each other tin really work. Although the differences between the two were more than in their backgrounds. They both arrived at the aforementioned place in life in very different means and found kindred spirits in each other.The art I actually like more that some of Mike Mignola's subsequently work, since he isn't really distorting the figures here too much, but even so has the great stark shadow piece of work.
I'thousand curious how the original stories compare to this version. There'southward a little chip of a sample at the cease giving an origin story for Fafhrd. The Gray Mouser's past of grade is by and large uknown.
All in all, though there was every bit serious Conan vibe, the feel was much different just by putting this pair together instead of a lone warrior. However small enough that they could feel alone, particularly when separated, but never completely alone.
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You do take to stay on your toes with this book, it is a drove of short stories that are basically unrelated to each other, except that they all involve these two main characters. And so they stories sometimes experience a little jam-packed and cramped in here, only with a petty focus it is like shooting fish in a barrel plenty to understand what is going on.
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It really makes me want to go read the Leiber stories again, they are some of my favorite "sword & sorcery" adventures, and the graphic noveliz
The artwork and dialog actually brings Fafhrd and the Gray Mouser to life. It'southward very well-written and a fun adaptation of the serial. It lacks the depth of the stories (of class, as any comic accommodation must) but the fun, risk, and urbane wit carries through. (I wasn't a huge fan of the "Lean Times in Lankhmar" arc, but that's a tough story to conform.)Information technology really makes me want to get read the Leiber stories over again, they are some of my favorite "sword & sorcery" adventures, and the graphic novelization whets my appetite for more.
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I loved it.
It doesn't read like a mod comic; I recollect that's part of what endeared it to me. This is old-school Sword & Sorcery to the cadre, the kind of fantasy that has been replaced by sch
It had been far to long since I'd read whatever adept Sword & Sorcery when I picked this book up at Hemingway's Books in Abbotsford, BC. Mignola's art caught my centre, as information technology always does. I bought it on a whim, took it home, and somewhen saturday down with a glass of mulled wine and Thanksgiving leftovers to read it.I loved information technology.
It doesn't read similar a modern comic; I think that's part of what endeared it to me. This is onetime-school Sword & Sorcery to the core, the kind of fantasy that has been replaced by schlock like that Hansel & Gretel: Witch Hunter movie nosotros had to deal with. Entertaining, but schlock. This book is gritty, street-level fantasy full of beer and claret, mud and monsters. It'due south myth built-in out of the age of Noir and Conan where barbarians and swashbucklers reigned supreme. Information technology was an age that I tin wax poetic well-nigh, like I am correct now. Mike Mignola did these stories their due justice, muted colours and loftier contrast, a stark blend of angles and flowing motion. This is Mignola pre-Hellboy, before he reinvented the gritty mod fantasy genre and blew us all away with the BPRD.
Read this book.
That is all.
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Actually, no, the 2d story wasn't a slog. I enjoyed the brief snippets of quests, lilliputian peeks into their lives, events taken without much context beyond providing some glimpse into the burgeoning bond between the two adventurers. Fun stuff, only none of the other tales work for me at all.
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These are fun and interesting tales that are accompanied past neat art, and I really enjoyed reading them. I wasn't sure what to expect every bit I don't know that much about the source material, but when Mignola is involved, I always want to bank check it out. At the aforementioned time, Chaykin is a revered name in the comic globe, so I knew there was a expert run a risk I would enjoy all of this, and I due west
Fritz Leiber's stories, Howard Chaykin'due south adaptations, and Mike Midnola's art, that's a winning combination right there.These are fun and interesting tales that are accompanied past great art, and I actually enjoyed reading them. I wasn't sure what to look as I don't know that much virtually the source material, but when Mignola is involved, I always desire to check it out. At the same time, Chaykin is a revered name in the comic world, and so I knew there was a proficient chance I would enjoy all of this, and I was right.
If you like swords and sorcery type stories with some sense of humour involved, then yous should become alee and cheque this collection out.
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Mignola's fine art is clearly developing into his Hellboy fashion, with stark lines, shadows and darkness, and fantastical monsters. I savor his visuals a lot, then that fabricated me very happy reading the volume. He has an unerring sense for the weird and eerie, playing to the fantasy parts of the story quite well. The stories are fun with the usual comradery banter between the two heroes. I'm intrigued enough to hunt around for the original stories.
Recommended.
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Some other trouble was the fridging of the female characters in the first story, the rampant sexism elsewhere, the racism towards people implied to be Romani, and a few other things. Howard Chaykin could accept removed these aspects, I guess, only I'chiliad sure he was trying to stick to the o
Naught stuck out to me in this volume, and non fifty-fifty Mike Mignola art could save it for me. I understand that Fafhrd and the Gray Mouser is a fantasy classic for a lot of people, but it didn't hit the right notes for me.Another problem was the fridging of the female characters in the first story, the rampant sexism elsewhere, the racism towards people unsaid to be Romani, and a few other things. Howard Chaykin could have removed these aspects, I approximate, simply I'k sure he was trying to stick to the original.
Overall, I'm disappointed that something with Mignola art makes me want to quit reading the book but oh well.
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